The company has a group of cooperation teams engaged in the Lorawan Tracker, Lora Location Tracking industry for many years, with dedication, innovation spirit and service awareness, and has established a sound quality control and management system to ensure product quality.
In the realm of passive components, capacitors are second only to resistors in prevalence. They are everywhere, in almost every electronic device you can find.
We’re going to take a look at the importance of capacitors in music, with a specific focus on how they help get the most out of audio and communication equipment.
So what makes capacitors so important (and cool)? Well, they can be used to perform some very important functions:
Units of measure
As with all passive components, you need to have a basic understanding of units of measure when working with capacitors. Luckily, it’s very simple. Capacitance is measured in Farads, named after English physicist Michael Faraday (very inventive!).
Capacitor Types
Although capacitors come in a wide range of types and sizes, there’s no need to get stressed about remembering all of the individual specifications. The majority of capacitors in audio & communication equipment designs fall into three types:
With these basic types in minds, let’s learn a bit more about each.
Electrolytic Capacitors
Electrolytic capacitors are generally visually distinguished by their “can” appearance. They are commonly used in power supply filtering and decoupling applications. They are usually polarized which means that they have a positive side and a negative side.
Electrolytic capacitors come in several configurations, but are mainly found as:
The polarity of the electrolytic capacitor is almost always indicated on the device. If you can’t see anything then it’s handy to keep in mind that the positive lead is usually longer.
When working with electrolytic capacitors, here are a few things to keep in mind:
Film Capacitors
Film capacitors are typically available in ranges from picofarads up to 1mfd. They are used in decoupling stages, tone controls and sometimes in power supply filtering. Film capacitors also come in a very wide range of compositions, but you’ll probably find polyester film, metallized polyester film, and propylene to be the most commonly available. Film capacitors are non-polarized, and as such,lack orientation markings. Here are the configurations you’ll find:
Ceramic Capacitors
Ceramic capacitors are typically used for lower capacitance jobs. Values are usually in the picofarad to low nanofarad range.
Most people won’t notice an audible difference between the two types in common use, so you’ll have to test it out for yourself to see what you prefer. A good rule of thumb is to remember that from an electrical engineering standpoint, film capacitors are generally preferred over ceramics in audio path applications. Ceramics are non-polarized and usually supplied in the radial lead configuration.
Which Type Should I Choose?
As with all component types, there are pros and cons for each type. In general, the choice of capacitor type will be made for you, either by the author of the schematic you are using, or by the simple factor of capacitance value. In other words, the schematic will specify electrolytic or film by the symbol used. That makes the choice easy.
But what about when a specific type is not specified, only the value is shown? In general, you look at the value specified, and choose the type appropriate for that value. Other factors may influence your choice of capacitor type, especially in audio circuits. So we’ve made sure to include benefits and drawbacks of each type in this article, so you can draw your own conclusions!
If you have any questions on Lorawan Tracker, Lora Location Tracking. We will give the professional answers to your questions.